With works by Iliada Charalambous, Luis Maly, Leonie Schneider, Jeannette Slutter.
Today we constantly experience a changing social, and urban landscape in which temporality is the norm, objects are made to be replaced instead of to last.Fresh Dough is an exhibition where four young artists based in The Hague react to this notion of temporality through sculptural ephemerality and a reaction to space.Four diverse approaches to sculpture and site-specificity will be presented in Quartair to explore the temporality in contemporary sculpture and perhaps its very ephemeral nature.
20 April until 22 April 2018
Opening Friday 20 April 18:00 – 23:00
About the artists
Luis Maly (1991, Wiltz) is a multidisciplinary artist based in The Hague. For the past year he is busy making architectural interventions in space. These normally are consisted by large scale installations. His work is a open dialogue with the exhibition space. By studying the space he composes a work which fits harmonically to the location. www.luismaly.com
Leonie Schneider (1993, Munich) is a visual artist and musician, currently based in The Hague. She is in the graduation year of her bachelor study of fine arts at the Royal Academy of The Hague. Her artistic practice deals with the topics power and authority in social structures. The concept of family constellation is often an inspiration to the positioning of her sculptures. The idea of the stage, where audience and sculptures are performing together reappears in her exhibiting.
Iliada Charalambous ( Limassol, 1993) is an artist currently based in The Hague. She holds a BA diploma in Fine Arts, sculpture from the Royal Academy of Fine Arts, The Hague. Currently she is engaged in an artistic practice exploring various aspects of the human condition within contemporary society in relation to the past.
Jeannette Slütter‘s (1988, Enschede) work consists of site-specific installations/situations. She studied at the Royal Academy of Art in The Hague and is living and working between Rotterdam and The Hague. In her works she questions the format of exhibition, with an interest in duration and movement.