robe bleu, fond rouge

Opening: 21 May
21 mei t/m 13 juni 2021

NL
robe bleu, fond rouge 
14 schilders op 2 locaties in Den Haag
Quartair en projectruimte WEST END (Westeinde 58, Den Haag)

Bij Quartair: Philip Akkerman, Kees Andrea (1914-2006), Morgan Betz, Judith van Bilderbeek, Wieteke Heldens, Mirthe Klück, Rob Knijn, Luuk Kuipers, Marion van Rooij (1951-2019), Machteld Rullens, Jan Wattjes. 

in Projectruimte WEST END: Annemieke Louwerens, Pietertje van Splunter, Nies Vooijs.

Een tentoonstelling over schilderkunst samengesteld door een schilder. De Haagse schilder Nies Vooijs kreeg de beschikking over maar liefst twee kunstenaarsinitiatieven om een tentoonstelling samen te stellen. Onder de titel robe blue, fond rouge, (de titel verwijst naar een schilderij van Henri Matisse) heeft Vooijs een heel persoonlijke keuze gemaakt van schilderkunst uit meerdere generaties. Naast gevestigde namen ook werk van de in 2019 overleden Marion van Rooij. Deze oud klasgenoot van Vooijs werkte 40 jaar in haar atelier maar trad nooit naar buiten met haar werk. 

Openingstijden: vrijdag t/m zondag van 12 tot 17 uur
Hoogtij #65 vrijdag 28 mei van 19 – 23 uur
En op afspraak

v.l.n.r. Werk van Wieteke Heldens, Marion van Rooij, Luuk Kuipers en Machteld Rullens

Recensie op villalarepubblica

EN
robe bleu, fond rouge 
14 painters at 2 locations in The Hague
Quartair and project space WEST END  (Westeinde 58, The Hague) 

At Quartair: Philip Akkerman, Kees Andrea (1914-2006), Morgan Betz, Judith van Bilderbeek, Wieteke Heldens, Mirthe Klück, Rob Knijn, Luuk Kuipers, Marion van Rooij (1951-2019), Machteld Rullens, Jan Wattjes.

At Project space WEST END: Annemieke Louwerens, Pietertje van Splunter, Nies Vooijs

An exhibition about painting curated from a painter’s perspective. The Hague painter Nies Vooijs was given no fewer than two artist initiatives to put together this exhibition. Under the title robe bleu, fond rouge – the title refers to a painting by Henri Matisse – Vooijs has made a personal choice of paintings by artists of different generations. Besides established names, the show includes a work by Marion van Rooij, who passed away in 2019. This classmate of Vooijs worked in her studio for 40 years but never exhibited her work.

Opening times: Friday – Sunday from 12:00 to 17:00.
Hoogtij #65 (Friday 28 May) from 19:00 to 23:00
And by appointment

Visit also: niesvooijs.nl

Met dank aan / Thanks to:

Upcoming: A State of Amplitude

Expected dates: 9 – 19 September 2021 [TBC]

For Rewire Festival, Quartair is collaborating as exhibition site with A State of Amplitude, a show with sonic sculptures, instruments and sound transmitting vessels.

Participating artists: Louis Braddock Clarke (UK/NL), Wen Chin Fu (TW/NL), Hans van Koolwijk (NL), Mike Rijnierse (NL), Andreas Trobollowitsch (AU) and Andre Bartetzki (DE).

A State of Amplitude focuses on the potential of re-amplifying the micro-powers of vibrating matter. Departing from the idea of a membrane as a selective instrument, excerpts of sounds are filtered, distorted and amplified. In these sonic architectures, an unfolding dimension arises, re-fabricating it into a composed reality. Through entering this space of vibrations an identification assembles between listeners and elemental matter, between inside and outside, between hallucination and realism.

An assemblage of active sounding objects remain open for compositional coincidences, new spatial conditions and modes of relation. These dynamic aspects result in a shifting soundscape forged by the acoustic setting and the state of the observer.

This exhibition is supported by Gemeente Den Haag, Stroom Den Haag and Mondriaan Fonds.

Sun Kissed // Fog Off

Once again Quartair receives the KABK’s Master Artistic Research for a week of experiments in the project space. This project functions as an immersive week-long residency culminating in an exhibition over the weekend. Unfortunately we cannot open the doors to the public.

From Saturday to Sunday, March 20-21, online and by appointment (guests only, sorry, health measures!)

Xenia Klein: Cyanotype-tannin prints. Flash poems on papper

“In a world where tyrant covid grabbed its power and is still ruling our lives, we were all forced to make a standstill in one way or another. Now one year after the first lockdown, we’re getting the opportunity to work together again as a group on the cusp of Spring. It feels like a breath of fresh air. Within one week, with all the participants of the MA Masters Artistic Research of KABK, we created the project Sun Kissed // Fog Off. It works like a kaleidoscope and set of gems that share their energy wherever they are presented. We have embraced the restrictions of the pandemic, like not being able to touch or physically gather, and found a way to deal with obstructions. So we started from looking into the possibilities instead and turned those restrictions into ways of presenting the artworks in ways that fit and connect to this specific moment in time. Questions of time and space became important in creating the right relations during the collaborations and between works. What does it mean to present a sculpture in physical space and on the internet? How can they get a physical sense of the works when seeing an image of, for instance, a painting? How does the audience perceive live performance on their laptops at home? And how do we deal with time zones and having colleagues missing out on physical meetings because they cannot be in The Hague? Sun Kissed // Fog Off expands from Korea through Colombia and through the internet to all corners of the globe and digital realms.

The kaleidoscope is always in flux. Sun Kissed by that energy, we playfully say Fog Off.”

Emily Stevenhagen: ‘Sublime is something you choke on after a shot of tequila’

Visit also kabkmar.hotglue.me

With works by: Balint Revesz, Clara Pallí, Daphne Monastirioti, Elisa Cuesta, Emily Stevenhagen, Esther Arribas, Eva Van Ooijen, Georgie Brinkman, Giath Mardini, Haevan Lee, Leos, Juliana M. Hernández, Lena Longefay, Leonie Brandner, Mazen Alashkar, Noortje Remmen, Renata Mirón, Omid Kheirabadi, Rosa van Walbeek, Xenia Klein, Serene Hui, Shardenia Felicia, and the Hypocritical Care collective

Shardenia Felicia: ‘The writing of E novela Ros – The writing of The pink soap’
Omid Kheirabadi: Wasting Art (€473 worth KFC fried chicken pieces)

10 years INSYRIATED

5 maart 2021 – Hoogtij #64 ONLINE – livestream via Facebook

Tien jaar geleden begon een vreedzame opstand (revolutie) in Syrie. Sindsdien zijn er al meer dan 6,1 miljoen mensen op de vlucht geslagen in eigen land. Daarnaast zijn er ruim 5,5 miljoen mensen naar het buitenland gevlucht, de meesten naar een land in de regio. De afgelopen tien jaar hebben meer dan 400.000 mensen het leven gekost. De Verenigde Naties noemden het al eerder de grootste humanitaire crisis sinds de Tweede Wereldoorlog.

10 jaar INSYRIATED is een persoonlijke terugblik van de Syrische kunstenaar Rosh Abdelfatah, die actief is geweest binnen de Syrische Revolutie en daarna betrokken was bij culturele projecten in Noord-Syrië (Rojava). Een werk over de rol en de vorm van kunst binnen de revolutie en over de mensen die hun leven voor de vrijheid in Syrië op het spel zetten.

“Als individu heb je nauwelijks controle over de omgeving, de werkelijkheid vormt zich terwijl je hulpeloos kijkt. Als kunstenaar en filmmaker zoek ik naar beelden waar ik grip op kan krijgen op de tijd. In mijn werk zoek ik momenten van ondersteuning. Het zijn menselijke ankers in een verslechterende, veranderende omgeving. De zoektocht naar dat wat blijft in een context die verdwijnt, vormt visuele benchmarks die, indien goed, zowel de pijn tonen als troosten.” – Rosh Abdelfatah

EN

Hoogtij #64 ONLINE – March 5th, 2021 – livestream via Facebook

Ten years ago a peaceful uprising (revolution) started in Syria. Since then, more than 6.1 million people have been displaced in their own country. In addition, more than 5.5 million people have fled abroad, most of them to a country in the region. In the past ten years, more than 400,000 people have lost their lives. The United Nations has called it the greatest humanitarian crisis since World War II.

10 years INSYRIATED is a 10-year personal retrospective of the Syrian artist Rosh Abdelfatah, who was active in the Syrian Revolution and then involved in cultural projects in Northern Syria (Rojava). A work about the role and form of art within the revolution and about the people who risk their lives for freedom in Syria.

“As an individual you hardly have any control over the environment. Reality forms while you look at it helplessly. As a artist and filmmaker, I search for images where I can get a grip on time. In my work I look for moments of support. They are human anchors in a deteriorating, changing environment. The search for that which remains in a context that disappears, forms visual benchmarks that, if good, both show the pain and comfort it”. – Rosh Abdelfatah

About the artist

Rosh Abdelfatah is a Kurdish-Syrian artist, filmmaker and Artistic Director of Arab Film Festival Rotterdam who finished art school at the St. Joost Academy in Breda in 2006.

Currently he is making freelance productions for different Arabic TV stations and is working as an independent artist in Netherlands and Middle eEast. Rosh started “Het Jasmijn Plein” in 2011 in Rotterdam as a mirror for the revolutionaries in Syria to reflect on the situation that was going on at that time in Syria. This project was shown with art, video installation and various films and got tremendous media attention. Rosh visited the refugee camps around the Syrian-Turkish-Iraqi-Jordin border several times. Through these visits and his art projects he tries to give these unknown faces a voice in his work.

Visit Rosh’s Youtube channel.