Toasted

Fresh art from the factory floor

EN
Toasted is raw, fresh, and full of energy, straight from the factory floor. Art, fashion, and music merge into a sensory experience. With installations and performance by both emerging and established talents.

NL
Toasted is rauw, fris en vol energie, direct van de fabrieksvloer. Hier smelten kunst, mode en muziek samen tot een zintuigprikkelende ervaring. Met installaties, mode en performance van opkomend talent én gevestigde kunstenaars.

Opening 26 September 2025, during Hoogtij #82, from 19:00 to 23:00
Opening hours: Saturday-Sunday, from 13:00 to 17:00
Finissage 11 October 2025, during MusemNacht Den Haag

Participating artists / kunstenaars:
Marlies Adriaanse, Lau Breukhoven-KROES, Blanka de Bruyne, Marc Claeijs, Oliver Doe, June Gibbs, Mekhlla Harrison, Dana laMonda, Astrid Nobel, Jessy Rahman, Zeger Reyers, Mike Rijnierse, Pietertje van Splunter, Mariska Streefland, Thom Vink.

June Gibbs has made her work ‘More or Less’ into an installation for Toasted at Quartair

June Gibbs investigates the norms and perceptions that confine us. By giving room for recognition, humor, and reflection, she tries to navigate a world full of contradictions: “I intend to provoke a tension that triggers reflection and wonder. Either by subtle gestures, or straight forward moves, I playfully explore the abstract and the recognizable to expose the forces that shape our expectations and opinions.” For Toasted, her work ‘More or Less’ will take the form of an installation presenting parts of the 2025 graduation project.


Oliver Doe: Something More, Something Else, coloured pencil drawings on cotton rag paper

Oliver Doe’s drawings stem from an interest in the asterisk within queer language use. This typographical symbol often appears as a marker of ‘something more’ or ‘something else’ beyond the language that we can see. This can be used as a mode of queering, particularly within gendered expressions (eg. Queer*, Man*, Woman*), but appears most notably with the use of “Trans*”, implying a set of meanings beyond the simplicity of this foundational word. As we expand the categories, these layers begin to overlap and their meanings expand into something new, something queer, something that defies concrete, universal meaning. “My research has been focused on linguistic abstraction as a performative mode that can (de)construct the possibilities of queer identities, communicating beyond language as we expect it. This work focuses particularly on paralanguages – movement, colour, gesture, tone – on ways in which they are abstracted through time and context to defy understanding and entangle their meanings as they overlap with the verbal.”
Visit also: Oliver Doe


Museumnacht Den Haag 2025

For the Museum Night / MuseumNacht Den Haag, on October 11th, 2025, we have prepared a lively program of performances and a DJ set.

Rhythm of Flour, KROES

EN
Rhythm of Flour is a performance and interactive sound installation by Lau Breukhoven, also known as KROES. Inspired by Quartair’s history as a former bread factory, it explores themes of rhythm arising from repetition and slow change, in two performances. Expect DIY electronics and a fresh perspective on sound art.

NL
Rhythm of Flour is een performance-element en interactieve geluidsinstallatie van Lau Breukhoven, ookwel KROES. Geïnspireerd door de geschiedenis van Quartair als voormalig broodfabriek exploreert het in twee performances thema’s van ritmes voorkomend uit herhaling en langzame veranderingen. Verwacht doe-het-zelf electronica en een frisse blik binnen de geluidskunst.

DJ set

🎶 We close the Museum night with DJ Yan Sun and his eclectic vinyl collection invoking Afro, Exotica, Cumbia, Brazilian, Funk, Disco, Ska and Reggae spirits.
Join us!


header image: De walvissen komen de botten van hun voorouders halen, Astrid Nobel
(casein, washed up coal, whale bone, seawater and gesso on canvas)
200×80 cm, 2024
Visitor strikes a pose in front of Marc Claeijs’ works; photo by Dana laMonda, 26 September 2025

See you at Quartair!
Toussaintkade 55,
The Hague

Bad Objects

Quartair presents Bad Objects, an exhibition that explores the enchanting yet unsettling nature of the doll’s house. In this show, Lore Pilzecker, Kiara Amartya, Ghazale Moqanaki, Marieke Peeters, and Ghazal Faghihi share different perspectives on the idea of the doll’s house.

Bad Objects | 11-20 October, 2024

When one thinks of a doll’s house, one might think of their personal history and origin –childhood, toys, and magic– but one could also think of the doll’s house as a representation of wealth disparity, or as a catalyst of horror. When buying a ‘real’ house is steadily becoming a disappearing reality for many, there is solace in the fantasy that the doll’s house provides in imagining our ideal world. In how it invites us to dream.

Bad Objects is organized by Ghazale Moqanaki and Marieke Peeters, both graduated from the Master Artistic Research program at the KABK / Royal Academy of Art in 2023. They often work together and are currently developing an immersive theatre project entitled Garbage Mansion, to be presented at the Zaal 3 of The National Theater, The Hague, 2025.

Opening:
Friday, October 11th, 19.00 – 22.00
Performances:
Lore Pilzecker 19.30 – 19.50
Ghazal Faghihi 20.30 – 20.50

Exhibition hours: from Friday to Sunday, 13.00 – 17.30
Free entrance.


Museumnacht: Saturday, October 12th, 19.00 – 01.00
Performances:
Lore Pilzecker 19.30 – 19.50
Ghazal Faghihi 20.30 – 20.50
Lore Pilzecker 22.00 – 22.20
Ghazal Faghihi 23.00 – 23.20

Bad Objects was made possible with the generous support of Stroom Den Haag, Mondriaanfonds, Museumnacht Den Haag, and Amarte Fonds.

Two Hiccups

Photo documentation of an evening of performances around food cultures – from growing, preparing, cooking, desiring, tasting and digesting. Museumnacht Den Haag 7 October 2023

Photos by Helena Roig

With works by Alejandra López, Cecilie Fang, Jana Romanova, Lars Holdhus, Marcin Liminowicz, Nael Quraishi, Trang Hà, Zeyep Burça Oral and Andrejs Polkans.

Dj set by Yunque.

Curated by Trang Hà and Andrejs Polkans.

Photos by Ludmila Rodrigues