An exhibition that explores the interconectedness of time, memory and material. The six artists come from different generations, with very diverse backgrounds, and all start from different points of departure. What connects them within this process is that each one relates in their own way to the concept of “fabric”, in the broadest sense. This can manifest as a physical fabric made of natural elements, but also as a biological structure, or as a social and cultural network within organizations and societies. One might also consider the “fabric” of history, in which different time periods and generations influence one another and become interwoven in the infinite layering of connections that shape our reality.
Opening Friday, September 25, 5.00 PM with Hoogtij #86 from 7.00 PM to 11.00 PM
Exhibition hours Friday–Sunday, 1.00 PM – 5.00 PM and by appointment. Please email Dana: mail@danalamonda.com
MuseumNight Saturday, October 10, open until 1.00 AM
Finissage Sunday, October 18, 3.00 PM – 5.00 PM
Participating artists: Matea Bakula, Atousa Bandeh, Daniëlle Davidson, Christie van der Haak, Rini Hurkmans, Dana LaMonda
The concept for Weaving Presence emerged from a series of encounters and studio visits between the artists, each of whom works from their own practice on themes such as connectedness, loss, identity, and the layered nature of experience. Weaving Presence is a nomadic project that will kick off at Quartair this year.
This exhibition is made possible thanks to
Quartair Contemporary Art Initiatives Toussaintkade 55, 2513 CL, The Hague
Every week the artist makes a new artwork out of 32 doors. The following week, the next artist creates their artwork from the previous work.
5 weeks, 5 exhibitions, 5 artworks made of the same material: reclaimed doors.
Participating artists: Frans van Hoek > opening on 24 Oct Jasper Niens > opening on 31 Oct Karin Iturralde Nurnberg > opening on 7 Nov Jette Kelholt > opening on 14 Nov cud collective > opening on 21 Nov
Exhibition hours Saturday from 17:00 to 22:00 & Sunday from 13:00 to 17:00.
cud series is initiated by Ossip Blits, Omer van Soldt, and Ruben Dijkstal.
28 August – 19 September 2026 Exhibition hours: from Thursday through Sunday, 12:00 – 18:00
The Elemental presents works that criss-cross in a continuous installation. Nine artists from the South seas (Aotearoa, New Zealand) and ten artists from the North Sea (The Hague) share their visions on what’s elemental – the sea, the air, the earth, the changing climate, and the delicate systems that connect them all.
The exhibition is both a journey and an invitation to pause. Here, climate is not only data and change, but also atmosphere, rhythm, light, temperature, and the quiet transformation of the world around us. The programme, curated by Sonja van Kerkhoff (Kawakawa / The Hague), includes performances, workshops, a short film festival, and a sound walk.
Participating artists: A.A.M. Bos, Anna Borrie, Yair Callender, Cle Tukuitonga, Denise Batchelor, Dr P, George Nuku, Phil Dadson, Kawiti Wiremu; Anna J. van Stuijvenberg, Astrid Nobel, Jessy Rahman, Jesus Canuto Iglesias, Ludmila Rodrigues, Pietertje van Splunter, Sanne Maes, Zeger Reyers, Thom Vink and Sonja van Kerhoff.
Thom VinkSonja van KerkhoffJesus Canuto IglesiasPerformance Ellen Rodenberg
Programme:
Opening Friday, 28 Aug 19.00 with a pōwhiri, Māori welcome, gathering outside 20:00 performances throughout the evening by Anna J van Stuijvenberg, Ellen Rodenberg, Anna Borrie, Sen McGlinn and Sonja van Kerkhoff
Saturday, 29 Aug 12:00-13:00 Draw a kiwi: Life drawing session where a New Zealander is the model. Bring your own drawing materials. Anatomical tutoring is optional. Refreshments supplied. Cost €5. Maximum 20 participants. Booking required. Please email sonjavank2@gmail.com before 26 August.
16:00-17:30 Ask a kiwi / Tea Party – Ask anything to the artists who will talk about their practice: a tea party and an opportunity to meet the New Zealand artists in this exhibitio
Thursday, 3 Sept A walk with Spinoza – walk and discussion with Baruch Gottlieb We will be reading and discussing “On Miracles”. The text will be made available but it’s good to read before this day. Text: chapter 6, of Spinoza’s Theological-Political Treatise / Tractatus Theologico-Politicus. We start in the gallery, then walk from the gallery into the park the Palace gardens / Paleistuin and back.
Friday, 4 sept 4pm performance with Dana LaMonda
Sunday, 6 Sep 12:00-13:30: Tāonga pūoro: Make a pūtangitangi. Sonja van Kerkhoff will give a run down on the revival of Maori traditional musical instruments, demonstrate a few and you can make your own pūtangitangi to take home. Maximum 20 participants. Cost €5 per participant. Booking required. Email sonjavank2@gmail.com before 1 Sept.
Sunday 13 SepOpen Monument Day 11.00-12.00 guided tour by Jessy Rahman 15.00-16.00 guided tour by Sonja van Kerkhoff 16:30-18.00: The Monument(al): – Sonja will give a talk (in English) about the history of this old bakery and its function over the past decades as a contemporary art space, finishing with a brief outline of New Zealand Maori buildings and uses as these relate to the current exhibition.
Friday, 18 Sept 20:00-21:20 The 4th One Hour International Film Festival. Programme of films less than 5 minutes long will be announced by 1 Sept. Doors open at 19:30. Full programme on: sonjavank.com/ohisff
FinissageSaturday, 19 Sept 16:30-17:00 happening: making bales out of the hay 17:00-18:00 performances: Jesus Canuto Iglesias, Sonja van Kerkhoff, and others 18:00-19:00 potluck meal – bring something to share
Modelo62 wraps up the season by making new music – and inviting the public to experience it. On Sunday July 5th, they will open their temporary studio at Quartair to share a new sonic exploration/musical installation hosted by Ezequiel Menalled. This is a walk-in/walk-out experience where the audience is invited to witness the backstage of a creative process.
Modelo62 is working on new materials for new pieces and you can be part of this moment of research, share the experience with the ensemble and have a few drinks too.
Modelo62’s studio is open on Sunday, July 5th, from 19:00 to 20:30. Free entrance. Book your spot via email to info@modelo62.com
Modelo62 is an ensemble that focuses on the performance of contemporary music, with a strong interdisciplinary component. Next to performing existing contemporary repertoire, the driving ambition of Modelo62 is to create tailor-made works for the group in collaboration with young as well as established composers and makers from a variety of disciplines. Modelo62 functions as a laboratory for new artistic experiments.
EX-MÊKH is in 2006 ontstaan vanuit de wens tentoonstellingen te maken waarin het individuele werk een onderlinge relatie aangaat en zich verhoudt tot de plek. In Unifying Fury is recent werk te zien. De titel komt voort uit het idee van een samenwerkende energie.
EX-MÊKH viert hun 20-jarige samenwerking met een installatie die gedurende de hele tentoonstellingsperiode elke dag zal transformeren. De tentoonstelling zal worden geopend door EX-MÊKH met als speciale gast Isolde Nagel, oprichter en curator van A TRANS uit Berlijn.
Doe je mee aan ‘De Fury’? Tijdens de tentoonstelling Unifying Fury maken de kunstenaars van EX-MÊKH samen met bezoekers een tijdelijke installatie in de ruimte van Quartair. Door toevoegingen zal deze sculptuur elke dag veranderen. De basis is stucloper, een kartonnen vloerbescherming die we zullen laten golven, zweven en verplaatsen. We willen zo inspiratie binnen laten stromen en de verbeelding aan het werk zetten. Met deze installatie willen we het gezamenlijk handelen vieren, waarbij met respect voor elkaar aan een gezamenlijke sculptuur wordt gewerkt samengesteld uit vele beelden en waar ruimte is voor uitwisseling en reflectie.
Meedoen kan als volgt: Inloop tijdens alle openingstijden en extra op do 25 juni vanaf 14 uur (materialen zijn aanwezig of zelf meenemen).
Op 28 juni zal tijdens de Finissage om 16 uur het moment zijn waarop ‘The Fury expands’. Op dat moment zal de installatie uiteenvallen in talloze stukken die verdeeld worden onder makers en liefhebbers.
Kunstenaarscollectief EX-MÊKH bestaat uit drie beeldend kunstenaars: Ellen Rodenberg, Kees Koomen en Maarten Schepers.
Opening: vrijdag, 19 juni – 19.00 uur Periode expositie: 19 – 28 juni 2026 Openingstijden: vrijdag t/m zondag, 13.00 – 17.30 uur
Opening ‘Unifying Fury’, 19 June 2026. Photos by Dana LaMonda
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Unifying Fury
Unifying Fury features recent work by the artists of EX-MÊKH collective. EX-MÊKH was started in 2006 out of a desire to create exhibitions in which the individual works interact with one another and relate to the space.
The title Unifying Fury reflects the idea of a collaborative energy. EX-MÊKH is celebrating their 20-year collaboration with an installation that will transform every day throughout the exhibition period.
The exhibition will be opened by EX-MÊKH with special guest Isolde Nagel, founder and curator of A TRANS from Berlin.
Opening: Friday, June 19, 7:00 PM Exhibition from June 19–28, 2026 Opening hours: Friday through Sunday, from 1:00 PM – 5:30 PM
Will you join “The Fury”? During Unifying Fury, EX-MÊKH artists will collaborate with visitors to create a temporary installation at Quartair. This sculpture will change every day as new elements are added. The base is a cardboard floor roll that we will have undulating, floating, and shifting. In this way, we want to let inspiration flow in and set the imagination to work. With this installation, we aim to celebrate collective action, working together with respect for one another on a shared sculpture (composed of many images) while creating space for exchange and reflection.
You can participate as follows: Drop in during all opening hours and additionally on Thursday, June 25, starting at 2 PM (materials are provided or you can bring your own).
June 28, during the closing event, 4 PM will be the moment “The Fury expands”. At that moment, the installation will break apart into countless pieces that will be distributed among creators and art-enthusiasts.
The collective EX-MÊKH consists of three visual artists: Ellen Rodenberg, Kees Koomen, and Maarten Schepers.
tentoonstelling: 22 mei t/m 14 juni Openingstijden: vrijdag t/m zondag van 13 – 17.30 uur Opening: vrijdag, 22 mei -19 uur Hoogtij #85: vrijdag, 29 mei 19-23 uur
Deelnemende kunstenaars: Sander van Deurzen, Bernice Nauta, Evi Vingerling, Hanae Wilke, Vera van de Seyp, Majda Vidakovic, Fons Haagmans en Piet Nieuwenhuysen.
robe bleu, fond rouge #3 is de titel van een tentoonstelling met een focus op schilderkunst. Onder dezelfde naam vindt nu voor de derde keer een tentoonstelling plaats in de ruimte van Quartair De tentoonstelling wordt samengesteld door de kunstenaars Nies Vooijs, Annemieke Louwerens en Pietertje van Splunter en geeft om de 2 of 3 jaar jaar een update op de staat van de schilderkunst gezien vanuit Den Haag.
Sander van Deurzen
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robe bleu fond rouge #3
exhibition from 22 May to 14 June, 2026 Opening on Friday, May 22nd at 7PM Visiting hours: Friday through Sunday, 1PM–5:30PM Hoogtij #85: Friday, 29 May, from 7PM–11PM
work by Piet Nieuwenhuysen
Participating artists: Sander van Deurzen, Bernice Nauta, Evi Vingerling, Hanae Wilke, Vera van de Seyp, Majda Vidakovic, Fons Haagmans en Piet Nieuwenhuysen.
The title Robe bleu, fond rouge — taken from a painting by Henri Matisse — refers to the essence of painting: color, form, and paint on canvas. At the same time, it points to what cannot be captured in words. The visual takes center stage. Curated by Nies Vooijs, Annemieke Louwerens, and Pietertje van Splunter, every two to three years, the exhibition offers a current perspective on painting from The Hague.
This year’s resident of ensemble Modelo62, Germaine Sijstermans, is developing her new site-specific installation ‘Yareta’, over the period of three weeks at Quartair. Yareta is composed as an open score, making each of the quartet’s three live performances a unique experience. Central to the music is timbre, sound textures, and a continuous interplay with perception itself, for both musicians and listeners.
The installation is to visitors during opening hours, with the music playing through four speakers. Visitors are invited to wander freely through the space; listening, watching, thinking, lazing, and daydreaming. ‘Yareta’ is composed as an open score, making each of the quartet’s three live performances a unique experience.
The music is performed by Elliot Simpson (guitar), Santiago Lascurain (guitar), Germaine Sijstermans (clarinet), Guy Vandromme (Indian harmonium), Leslee Smucker (lights).
Live concerts: Friday, April, 24th. 20:30 – free entrance Saturday, May, 2nd. 20:30 – €12,50 / students €7 Sunday May 10th. 16:00 – €12,50 / students €7
Quartair newsletter subscribers and friends get 100% discount, with code: QUARTAIR (capital letters): Get tickets to Yareta here
Installation visiting hours 13:00 – 17:00 on the following dates: April: 25, 26, 30 May: 1, 2, 3, 7, 8, 9, 10
Germaine Sijstermans • Photo by Joris Hilterman
Yareta is commissioned by Modelo62 and Gerliene & Sven Karssenberg-Schlijper (The Loveworms Commissions) and is supported by Fonds Podiumkunsten, Gemeente Den Haag, and Intro in Situ.
An old spinning top that Mariska de Groot found at a flea market sparked the idea for a sound installation. Immediately fascinated by this colourful children’s toy and its humming harmonies, she delved into the history and mechanics of these ingenious spinning tops. The result is BROM, a choir of motorised, rotating, harmonium-like instruments suspended from the ceiling, creating sounds through a system of air and reeds. Each instrument is tuned differently, creating shifting interferences and rhythmic vibrations, immersing visitors in a hypnotic soundscape as they move through the space.
iii member Mariska de Groot is an interdisciplinary artist working at the intersection of light, sound, and space. She creates immersive installations in which self-built instruments create dynamic, multisensory environments. Inspired by seemingly simple historical inventions, her work reinterprets these inventions through experimental approaches, exploring the role of technology, perception, and spatial experience.
Proximity Music is a joint exhibition programme initiated by iii and Rewire. It seeks to connect sound, architecture, and technology through intimate sensory experiences. As part of Rewire 2026, the sixth edition, titled Proximity Music: The Ongoing Hum, will take place from 9 to 12 April across various locations in the centre of The Hague.
Proximity Music: The Ongoing Hum focuses on attuning to the seemingly inaudible rhythms, vibrations, and radiations that coexist in our environment. The exhibition brings together diverse instruments and compositions that stimulate new ways of perceiving our everyday surroundings: from tapping into the electricity of cyanobacteria and sensing the heartbeat of strangers to the barely audible frequencies resonating in ceramic vessels and immersion in a hypnotic humming top soundscape. Tuning into the hidden rhythms of the physical world, this exhibition transforms materials into portals by encouraging listening beyond the ears. More info: linktr.ee/proximitymusic
This exhibition is supported by Stroom Den Haag, Creative Industries Fund NL, The Municipality of The Hague, Konrad Boehmer Foundation and Cultuurfonds.
Van 13 t/m 29 maart 2026 Opening: vrijdag, 13 maart 2026, van 17.00 tot 23.00 uur (Hoogtij) Openingstijden: donderdag t/m zondag van 13.00-17.00 uur Finissage & kunstenaarsgesprek: zondag, 29 maart 2026, 14.00–16.00 uur
Van 13 t/m 29 maart 2026 verandert de Nederlandse Kring van Tekenaars (NKvT) onze projectruimte in een vrije speelruimte voor tekenen en onderzoek. Onder de titel Tekenen = Spelen werken kunstenaars samen in een open laboratorium, waarin het proces belangrijker is dan het eindresultaat. Experimenteren, falen en opnieuw beginnen krijgen hier volop ruimte.
De tentoonstelling opent feestelijk op vrijdag 13 maart van 17.00 tot 19.00 uur, met aansluitend Hoogtij. Op zondag 29 maart van 14.00 tot 16.00 uur vindt een afsluitend publiek gesprek plaats, waarin de kunstenaars reflecteren op de samenwerkingen en de nieuwe ontdekkingen die tijdens de werkperiode zijn ontstaan.
Quartair is opgedeeld in vier werkzones, waarin groepjes het thema vrijheid vanuit verschillende invalshoeken onderzoeken: in materiaal, in denken, in ruimte en als inhoudelijk concept. Bezoekers zijn getuige van een voortdurend veranderende tentoonstelling, waarin samenwerking, dialoog en experiment centraal staan.
Zoete Broodjes In de achterruimte is de groepsexpositie Zoete Broodjes te zien: kleine tekeningen in het formaat van kadetjes en broden, om direct mee te nemen, geïnspireerd op de geschiedenis van de Haagsche Broodfabriek waarin Quartair is gevestigd.
Over de NKvT De Nederlandse Kring van Tekenaars verenigt kunstenaars die autonome tekenkunst als kern van hun werk zien. Sinds 1947 maakt de NKvT de ontwikkeling van tekenkunst zichtbaar en biedt een platform voor ontmoeting, onderzoek en uitwisseling. Meer informatie: www.nvkt.nl
Tekenen = Spelen is een uitnodiging om vrijheid niet alleen te bekijken, maar ook te ervaren: als bezoeker, als maker en als mens.
Kunstenaars Hanna de Haan, Yvonne van de Griendt, Inez Ishizaki, Ben van der Wel, Lisanne Sloots, Natascha Waeyen, Selma Dronkers, Nanou Jacobs, Anna Rudolf, Zela Odessa Palmer, Laurens Heidendael, Yvonne van den Herik, Marijke Vijfhuizen, Tom Heerschop, Anne Verhoijsen, Emma van Drongelen, Liesje van den Berk, Sandra Mackus, Wilma Laarakker, Herman Fontein, Egbarta Veenhuizen, Janneke Tangelder, Ingeborg Oderwald, Bernadette Beunk, Georg Bohle, Matthijs van Zessen, Thérèse Zoekende.
Foto’s opening door Dana LaMonda, 13 maart 2026
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Tekenen = Spelen (“Drawing = Playing”) is an invitation not only to observe freedom, but also to experience it: as a visitor, as a creator, and as a human being.
March 13–29, 2026 Opening: Friday, March 13, from 5Pm to 11PM (during Hootgij #84) Exhibition hours: Thursday through Sunday, 1:00-5:00 PM Finisage & artist talk: Sunday, March 29, 2:00–4:00 PM
organized by NKvT (the Dutch Circle of Drawing Artists)
Participating artists: Hanna de Haan, Yvonne van de Griendt, Inez Ishizaki, Ben van der Wel, Lisanne Sloots, Natascha Waeyen, Selma Dronkers, Nanou Jacobs, Anna Rudolf, Zela Odessa Palmer, Laurens Heidendael, Yvonne van den Herik, Marijke Vijfhuizen, Tom Heerschop, Anne Verhoijsen, Emma van Drongelen, Liesje van den Berk, Sandra Mackus, Wilma Laarakker, Herman Fontein, Egbarta Veenhuizen, Janneke Tangelder, Ingeborg Oderwald, Bernadette Beunk, Georg Bohle, Matthijs van Zessen, Thérèse Zoekende.
Quartair project space will transform into a playground for drawing, freedom, and research. The artists collaborate as in an open laboratory, where the process is more important than the end result.
Tijdens Van Damascus naar Den Haag organiseren we een driedaagse workshop met Syrische kunstenaars en deelnemers met een Syrische achtergrond. Beeldende kunst, video art, muziek en schilderkunst komen samen in een gezamenlijk creatieproces.
Gedurende drie dagen werken de deelnemers samen aan één collectieve installatie rond het thema rechtvaardige transitie. Het werk wordt gevoed door poëzie, korte films en groepsgesprekken. Deze momenten van uitwisseling en reflectie vormen de inspiratiebron voor de artistieke ontwikkeling van de installatie.
De workshop biedt ruimte voor ontmoeting, verbeelding en gedeelde verhalen. Kunst wordt hier gebruikt als middel om ervaringen te delen, vragen te stellen en samen na te denken over toekomst, herinnering en rechtvaardigheid.
Op 8 maart wordt de gezamenlijke installatie gepresenteerd aan het publiek. Na de iftar, om 19.00 uur, openen we de expositie met live muziek en optredens. Het resultaat is een moment van samenzijn, waarin kunst, cultuur en dialoog samenkomen.
During “From Damascus to The Hague,” we are organizing a three-day workshop with Syrian artists and participants with a Syrian background. Visual art, video art, music, and painting will come together in a collaborative creative process.
Over these three days, the participants will collaborate on a single collective installation around the theme of just transition. The work will be informed by poetry, short films, and group discussions. These moments of exchange and reflection will inspire the installation’s artistic development.
The workshop offers a space for encounters, imagination, and shared stories. Art will be used as a means to share experiences, ask questions, and reflect together on the future, memory, and justice.
The collaborative installation will be presented to the public on March 8th. After the iftar, at 7:00 PM, we will open the exhibition with live music and performances. The result is a moment of togetherness, where art, culture, and dialogue converge.
