Toasted

Fresh art from the factory floor

EN
Toasted is raw, fresh, and full of energy, straight from the factory floor. Art, fashion, and music merge into a sensory experience. With installations and performance by both emerging and established talents.

NL
Toasted is rauw, fris en vol energie, direct van de fabrieksvloer. Hier smelten kunst, mode en muziek samen tot een zintuigprikkelende ervaring. Met installaties, mode en performance van opkomend talent én gevestigde kunstenaars.

Opening 26 September 2025, during Hoogtij #82, from 19:00 to 23:00
Opening hours: Saturday-Sunday, from 13:00 to 17:00
Finissage 11 October 2025, during MusemNacht Den Haag

Participating artists / kunstenaars:
Marlies Adriaanse, Lau Breukhoven-KROES, Blanka de Bruyne, Marc Claeijs, Oliver Doe, June Gibbs, Mekhlla Harrison, Dana laMonda, Astrid Nobel, Jessy Rahman, Zeger Reyers, Mike Rijnierse, Pietertje van Splunter, Mariska Streefland, Thom Vink.

June Gibbs has made her work ‘More or Less’ into an installation for Toasted at Quartair

June Gibbs investigates the norms and perceptions that confine us. By giving room for recognition, humor, and reflection, she tries to navigate a world full of contradictions: “I intend to provoke a tension that triggers reflection and wonder. Either by subtle gestures, or straight forward moves, I playfully explore the abstract and the recognizable to expose the forces that shape our expectations and opinions.” For Toasted, her work ‘More or Less’ will take the form of an installation presenting parts of the 2025 graduation project.


Oliver Doe: Something More, Something Else, coloured pencil drawings on cotton rag paper

Oliver Doe’s drawings stem from an interest in the asterisk within queer language use. This typographical symbol often appears as a marker of ‘something more’ or ‘something else’ beyond the language that we can see. This can be used as a mode of queering, particularly within gendered expressions (eg. Queer*, Man*, Woman*), but appears most notably with the use of “Trans*”, implying a set of meanings beyond the simplicity of this foundational word. As we expand the categories, these layers begin to overlap and their meanings expand into something new, something queer, something that defies concrete, universal meaning. “My research has been focused on linguistic abstraction as a performative mode that can (de)construct the possibilities of queer identities, communicating beyond language as we expect it. This work focuses particularly on paralanguages – movement, colour, gesture, tone – on ways in which they are abstracted through time and context to defy understanding and entangle their meanings as they overlap with the verbal.”
Visit also: Oliver Doe


Museumnacht Den Haag 2025

For the Museum Night / MuseumNacht Den Haag, on October 11th, 2025, we have prepared a lively program of performances and a DJ set.

Rhythm of Flour, KROES

EN
Rhythm of Flour is a performance and interactive sound installation by Lau Breukhoven, also known as KROES. Inspired by Quartair’s history as a former bread factory, it explores themes of rhythm arising from repetition and slow change, in two performances. Expect DIY electronics and a fresh perspective on sound art.

NL
Rhythm of Flour is een performance-element en interactieve geluidsinstallatie van Lau Breukhoven, ookwel KROES. Geïnspireerd door de geschiedenis van Quartair als voormalig broodfabriek exploreert het in twee performances thema’s van ritmes voorkomend uit herhaling en langzame veranderingen. Verwacht doe-het-zelf electronica en een frisse blik binnen de geluidskunst.

DJ set

🎶 We close the Museum night with DJ Yan Sun and his eclectic vinyl collection invoking Afro, Exotica, Cumbia, Brazilian, Funk, Disco, Ska and Reggae spirits.
Join us!


header image: De walvissen komen de botten van hun voorouders halen, Astrid Nobel
(casein, washed up coal, whale bone, seawater and gesso on canvas)
200×80 cm, 2024
Visitor strikes a pose in front of Marc Claeijs’ works; photo by Dana laMonda, 26 September 2025

See you at Quartair!
Toussaintkade 55,
The Hague

Seeing Sounds

Seeing Sounds is an interdisciplinary performance by Kaja Majoor featuring Diederik Smulders on the cello, Ricardo Oliveira on percussion, and Majoor on the violin.

The program includes graphic scores by Morton Feldman, Mark Applebaum, Pauline Oliveros, Anas Qadamani, along with original scores by Kaja Majoor.

Saturday, 24 August, 2024 at 16:00 – free entrance

With Seeing Sounds, Majoor investigates how graphic scores can be used to create visual representations of sounds, giving both synesthetes and non-synesthetes a chance to experience music in a multi-sensory way. Exploring the phenomenon of synesthesia through graphic scores, illustrator and violinist Kaja Majoor combines different disciplines through colours, shapes and movements. The scores are projected on a screen in order to give the audience the chance to follow both the improvised music as well as the score.

Recently graduated at the Royal Conservatoire Masters in violin (NAIP / New Audiences and Innovative Practice), Majoor has been working on the project Seeing Sounds for the past two years. As an outcome she has created 5 graphical scores to be performed in collaboration with cellist Diederik Smulders and percussionist Ricardo Oliveira, as a trio at Quartair. Before the concert, Kaja will give a lecture on graphic scores, synesthesia, and her NAIP Master journey.

See also: kajamajoor.com / diederiksmulders.nl

Photos by Martin Majoor

centre OFF gravity

Ildikó Horváth: artist in residence, 17– 28 June

Quartair is proud to have Ildikó Horváth as artist in residence this month. By developing a spatial audio installation and a series of performances, the artist highlights the relevance of aural perception, searching for the role that sound plays in our relationship with Earth and gravity. Inspired by kinetic toys such as spinning tops or roly-poly toys, her material research centers ceramic objects of various sizes and shapes that can be animated to maintain motion for a certain time, while the audio technology interacts with the ceramic pieces.

The resulting work aims to facilitate a conscious listening exercise that is integrated with tangible matter, movement and digital technology. In the work digital sound processing is understood and employed as an interface between various physical realities: installation objects, sculptures, audience, performers and maker, in order to embrace bodily experiencing and sensory encounters with fellow entities.

During the 2 week long period at Quartair, Ildikó will further develop the installation setup along with the soundscape, diving deeper into the possibilities regarding composition and narrative. She will closely work together with movement performers from various backgrounds: Melody Nolan (circus), Niek Vanoosterweyck (mime) and Amit Palgi (dance), focusing on the feedbacking dynamics between performers, movement and sound.

Open rehearsal, Wednesday, 26th June at 20:00
the public is welcome to the joint performance by Melody, Niek, Amit and Ildikó.

Conceptual and sound design support: Zeno van den Broek, Michele Abolaffio, Mark Ijzerman
Audience interaction advising: Ludmila Rodrigues
With the generous support of Creative Industries Fund NL, Mondriaan Fund, Het Niemeijer Fonds and The Grey Space in the Middle


Visit also: ildikohorvath.com

Second Breath: Myra-Ida van der Veen / Rewire Festival

Quartair proudly presents Myra-Ida van der Veen, performing during the Rewire Festival 2024. Curated by our member Mike Rijnierse, who has been coaching the artist / musician since last year, the performance Second Breath will be a site specific performance developed within the acoustics of Quartair. Second Breath will be shown 3 times per day during the festival, as part of Proximity Music – a program put together by iii.

‘Second Breath’ performance by Myra-Ida van der Veen, Rewire Festival 2024. Photo by Pieter Kers

Second Breath performance times:

Friday 5 April 14:00-14:30  |  17:00-17:30  |  20:30-21:00
Saturday 6 April 14:00-14:30  |  17:00-17:30  |  20:30-21:00
Sunday 7 April 14:00-14:30  |  17:00-17:30  |  20:30-21:00

Free entrance.
Limited number of seats per show: 40 (doors will be closed after the performance starts)

Second Breath is a performance that delves into the physicality of sound as it moves through the primal essence of the voice: the breath. Through this, the artist unravels the intricate relationship between the human body and the ethereal vibrations that emanate from within. When one sings, they fill their lungs with air. The air flows out, and by shaping different parts of their body, they create certain sounds: temporal voices, temporal breath. Drawing inspiration from the fascinating anatomy of frogs, van der Veen ingeniously crafts an environment that blurs the lines between choir, performance, and choreography.

Check out video documentation produced by iii/Tanja Busking:

Myra’s website: http://idamyraida.myportfolio.com
Rewire Festival: http://www.rewirefestival.nl/
Proximity Music: http://instrumentinventors.org/agenda/proximity-music-states-of-fragility

Rewire Festival | Prikkelarme cultuuragenda

With thanks to Rewire, Stroom Den Haag and iii

needs must (when the devil drives)

Needs Must is a piece of avant-garde theatre created and performed by Petra van Beuningen and Charlie Watkins. Petra’s theatre talent, recognised in numerous theatrical projects, combines with Charlie’s Shitcluster experience to create a quirky tale of sex and violence spread over 60 minutes. The piece will be performed four times with technical support from Rob Bothof.

Entry is free with no seat reservation. First come, first served basis, with maximum 50 visitors per performance. Once visitors are admitted, the doors will be closed and the performance will begin with no further admittance. Please come in plenty of time.

Friday 17 June doors open at 20.00
Saturday 18 June doors open at 15.00
Saturday 18 June doors open at 20.00
Sunday 19 June 22 doors open at 15.00

The bar will open after each performance with musical entertainment.

Killing Horizons | ArtScience masters

June 7-9 2019
Performances and installations by first year masters of the ArtScience Interfaculty, KABK/KonCon.

Turbulence: performance by Mint Park

Participants: Felix Bodin, Gabriela Acha, Timoteo Carbone, Alexander Heil, Ian Ouros, Berk Özdemir, Mint Park, Lianne van Roekel, Daan Westerheide, Iva Berkovic.

Gabriela Acha: video still
installation Lianne van Roekel. Photo by Dana LaMonda

A glimpse of Riga

During Hoogtij #55, QUARTAIR hosts a special evening with Latvian artists. An event that lets people have a glimpse of what the city of Riga and its citizens are. During this evening The Hague’s public will meet their art, drink the traditional Black Balsam, listen to Rigan band The Bad Tones and watch the 16 mm short film ‘Sound we see: Riga’ featuring 25 artists of the capital of Latvia.

Participating artists: Rudolfs Stamers, Gundega Strauberga, Estere Betija Gravere, Sabine Vernere, Ieva Jakuša, Nanda Milberta, The Bad Tones and Eliza Elizabete Ramza.

The Bad Tones is a psychedelic-rock quartet from Latvia, previously known as The Pink Elephant. Mixing skills crafted through classical rock and blues standards with the song writing approach of modern, independent music, they’ve developed their own style and form.

Photo by Marta Edīte

Friday, November 30th, 2018
Doors open 19:00 Concert: The Bad Tones 20:30 and 22:30
Film: ”Sound we see: Riga’’ (on view all night long)
This event is curated by Eliza Elizabete Ramza, who worked with us at Quartair for three months in 2018.

Photo by Emils Mihailovs

This event was supported by: